Robert Frost- Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; Then took the other, as just as fair, And having perhaps the better claim, Because it was grassy and wanted wear; Though as for that the passing there Had worn them really about the same, And both that morning equally lay In leaves no step had trodden black. Oh, I kept the first for another day! Yet knowing how way leads on to way, I doubted if I should ever come back. I shall be telling this with a sigh Somewhere ages and ages hence:
When they went walking together, Thomas was chronically indecisive about which road they ought to take and—in retrospect—often lamented that they should, in fact, have taken the other one.
Out walking, the speaker comes to a fork in the road and has to decide which path to follow: Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth … In his description of the trees, Frost uses one detail—the yellow leaves—and makes it emblematic of the entire forest.
Defining the wood with one feature prefigures one of the essential ideas of the poem: The yellow leaves suggest that the poem is set in autumn, perhaps in a section of woods filled mostly with alder or birch trees. The leaves of both turn bright yellow in fall, distinguishing them from maple leaves, which flare red and orange.
One forest has replaced another, just as—in the poem—one choice will supplant another. The yellow leaves also evoke a sense of transience; one season will soon give way to another.
The syntax of the first stanza also mirrors this desire for simultaneity: After peering down one road as far as he can see, the speaker chooses to take the other one, which he describes as … just as fair, And having perhaps the better claim, Because it was grassy and wanted wear; Though as for that, the passing there Had worn them really about the same.
As soon as he makes this claim, however, he doubles back, erasing the distinction even as he makes it: And both that morning equally lay In leaves no step had trodden black. Decisions are nobler than whims, and this reframing is comforting, too, for the way it suggests that a life unfolds through conscious design.
However, as the poem reveals, that design arises out of constructed narratives, not dramatic actions.
This line initiates a change: This tonal shift subtly illustrates the idea that the concept of choice is, itself, a kind of artifice. Thus far, the entire poem has been one sentence. The neatness of how the sentence structure suddenly converges with the line structure this sentence is exactly one line echoes the sudden, clean division that choice creates.
As the tone becomes increasingly dramatic, it also turns playful and whimsical. Whichever road he chooses, the speaker, will, presumably, enjoy a walk filled with pleasant fall foliage.
Yet knowing how way leads on to way, I doubted if I should ever come back. Some, now paved over, are used as highways, remnants of a culture that has long since vanished and been supplanted by another. Later he imagines roads when people are absent: They are lonely For lack of the traveller Who is now a dream only.
Now all roads lead to France And heavy is the tread Of the living; but the dead Returning lightly dance. Frost wrote this poem at a time when many men doubted they would ever go back to what they had left.
When Frost sent the poem to Thomas, Thomas initially failed to realize that the poem was mockingly about him. Instead, he believed it was a serious reflection on the need for decisive action. He would not be alone in that assessment.
|The Road Not Taken by Robert Frost - Poems | Academy of American Poets||Subscribe to our FREE email newsletter and download free character development worksheets!|
|Confederate Information||According to the records of the U.|
Keating, played by Robin Williams, takes his students into a courtyard, instructs them to stroll around, and then observes how their individual gaits quickly subside into conformity. I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and I— I took the one less traveled by, And that has made all the difference.
Again, the language is stylized, archaic, and reminiscent of fairytales.And that has made all the difference. "The Road Not Taken" is a poem by Robert Frost, published in as the first poem in the collection Mountain Interval.
History. Frost spent the years to in England, where. The mood or tone of Robert Frost's poem "The Road Not Taken" can perhaps be best described by the word nostalgia. It means looking back on the past with sentimental emotions. The poem can be. Betty Crocker "General Mills, firmly rooted in grain products--Gold Medal Flour, Bisquick, Softasilk, Wheaties, and Cheerios--embraced cake mixes, but Betty was a late arrival to the party.
The Road Not Taken - Making Choices Along the Road of Life The Road Not Taken can be interpreted many different ways. Depending on the past, present and future attitude one has at the time he read it determines the way the poem may be interpreted.
Happy Birthday General Robert E Lee On April 9, the father of Lee biographer, Douglas Southall Freeman watched General Lee ride away from Appomattox Courthouse and an old man ran out into the road and cried, with hands uplifted "We love you, General Lee! The Road Not Taken - Two roads diverged in a For more on "The Road Not Taken," read poetry critic David Orr's essay "The Road Not Taken: The Poem Everyone Loves and Everyone Gets Wrong." facebook.
twitter. tumblr. Robert Frost was an author of searching and often dark meditations on universal themes and a quintessentially modern poet in.