The bacchae the human psyche

Beliefs The first Piraeus Artemisprobably the cult image from a temple, 4th century BC While there were few concepts universal to all the Greek peoples, there were common beliefs shared by many. Theology Ancient Greek theology was polytheisticbased on the assumption that there were many gods and goddesses, as well as a range of lesser supernatural beings of various types. There was a hierarchy of deities, with Zeusthe king of the gods, having a level of control over all the others, although he was not almighty.

The bacchae the human psyche

With her left brain shutting down, she felt intimately connected to the ever-shifting field of experience, like a wave moving through a body of water.

The bacchae the human psyche

In her former left-brain mode, Bolte-Taylor described feeling separate from all else and continuous in time — like a particle traversing a solitary path from past into future. In this view, our right brains formed to engage with the wave aspect of the material world; our left in response to its particle aspect.

To take a measurement is to extract information from a system, which requires standing apart from it yourself. Those of us with an awareness practice might recall the shift out of a meditative state back into everyday consciousness.


Falling sway to a self-image, we become fixed in a storyline in which we are moving away from a definite past toward a limited future.

This narrative leads to suffering as we move out of balance with what is actually taking place within and around us. We are released from suffering when we rebalance again in the direction of presence and Being.

Modern psychology from Freud forward suggests that when we embrace a self-image it is always for someone specific, an idealized Other we have conjured, an aspect of a parental figure typically i. We compose ourselves, hoping for the best, as this illusory authority takes our measure.

In my experience the Other arises first, standing apart, judging, measuring, then the self-image arises in response. Last comes the narrative that supports the self-image. This actually happens numerous times a day.

Under the gaze of projected Others, we are carried away from the present moment on a current of self-justifying stories, becoming action heroes, maidens in distress, sacrificial victims, avenging angels, saints and seducers in a constantly shifting dreamscape of archetypal dramas.

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Some of these narratives are encouraged, sponsored and energized by the culture at large, which is prone to its own forms of meta-dreaming. All are attempts to fend off a debilitating sense of lack, an anxiety about our fundamental groundlessness in the face of experience.

Obviously this is a complex subject and not something that can be fully explored here. But all these elements are present in tragic drama.

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As we in the audience take our seats we become the measuring Other standing apart from the spectacle. Drawn along toward a moment of maximum tension we are released into an open state of presence. Without a conveniently targeted stroke to help us along, crossing from left brain to right means moving beyond the death of a self-image.

This is never easy.

This bar-code number lets you verify that you're getting exactly the right version or edition of a book. The digit and digit formats both work. The Olympians (´Ολυμπιαδεσσιν) were a group of twelve gods that ruled the world after the lived in a palace on Mount Olympus (´Ολυμπου), built by the Cyclopes or possibly by Hephaestus. Feb 18,  · THE BACCHAE by Eurpides powerfully dramatizes the conflict between the emotional and the rational sides of the human psyche. Dionysus arrives at .

Over-determined, form-based, these figures are inspired by a taste of freedom to struggle against the potent self-images that imprison them. In the Bacchae by Euripidesthe god Dionysus shows up in the city-state of Thebes and the women begin to run wild, dancing in the hills.

Pentheus, the young king, disapproves. Despite a secret fascination with their ecstatic state he attempts to reassert order and control…and is ripped apart by the marauding women in a cathartic spasm of violence. The left brain always believes the fiction of its own power, only to be defeated by an unknowable presence larger than man.

Like many of the Greek tragedies, The Bacchae is as shocking today as it must have been years ago, and as relevant to our lives. These works of art retain their transformative power because they embody crucial dynamics operating deep inside the human psyche, dynamics that, spilling over into the public arena, continue to shape our collective destiny as a species.

In the ensuing years — a heart beat in geologic time — we have utterly transformed the geosphere, to the peril of every life form. Our power to have done so arises mostly from the practice of empiricism, the scientific method, which is left brain, observational thinking in its most distilled form.

This is why recent discoveries in the brain sciences, including those of Jill Bolte-Taylor, have ignited such excitement. The sovereignty of the left brain is now being challenged from within the temple of science. We do not have an easy time inhabiting our innate freedom. To do so requires that we, like the tragic heroes, move through our own suffering, which is then revealed to be the biggest illusion of all.

We might then begin to fulfill our destiny as a species, our awareness becoming a stage on which matter itself can turn and looks back at itself, a liberating witness capable of restorative action.The Bacchae + the human psyche Essay Euripides’ play The Bacchae is an exploration of the complexities of the human psyche.

Set in ancient Greek times, the playwright strips away the layers that humans often embellish themselves with, in order to examine the true nature of a human being. Salome Jens Salome Jens has appeared in lead roles on Broadway in Far Country, Night Life, The Disenchanted, Patriot For Me, A Lie of the Mind.

One of the greatest of all Greek dramas, The Bacchae powerfully dramatizes the conflict between the emotional and rational sides of the human the people of Thebes deny the existence of the god Dionysos, he punishes them by unleashing the full force of female sexuality, thereby destroying social order and driving them to certain tragedy.

The Bacchae and Catharsis

In his hands The Bacchae becomes a communal feast, a tumultuous celebration of life, and a robust ritual of the human and social psyche. "The Bacchae is the rites of an extravagant banquet, a monstrous feast," Soyinka yunusemremert.coms: 1. David Greig's version of The Bacchae premiered at the King's Theatre, Edinburgh, in August in a co-production between the Edinburgh International Festival and the National Theatre of Scotland.

Feb 18,  · THE BACCHAE by Eurpides powerfully dramatizes the conflict between the emotional and the rational sides of the human psyche. Dionysus arrives at .

DIONYSUS (Dionysos) - Greek God of Wine & Festivity (Roman Bacchus)